A light object — a lamp — reveals its form at a glance, yet its history often remains in the shadows. In my catalogue, three lamps become quiet witnesses of the Bauhaus era: the PH 3/2 by Poul Henningsen, the Tube Light by Eileen Gray, and the WG 24 by Wilhelm Wagenfeld. Together, they show how function and aesthetics merge into the Bauhaus ideal. The layout echoes this idea: clear diagonals, structured surfaces, and a restrained grotesk typeface form the visual rhythm of this journey through time.